WRITE-ON-Q
Our Annual, Full-Length Playwriting Competition
Every year, Infinithéâtre hosts a Québec-wide playwriting competition, receiving innovative new works from writers across the province and employing a jury of professional theatre-makers to select finalists.
The winning script receives a cash prize of $2000, as well as a staged reading at The Pipeline, our annual staged reading series of plays that come down the development pipeline. Audience feedback, talkbacks, and the opportunity to watch scripts come to life provide invaluable feedback for future programming and script rewrites.
PARRICIDE / THE HARPY
By Jojo O’Neil
A violent, gothic, coming-of-age solo play, Parricide / The Harpy follows EMELIA, who recently began her transition from male to female, as she finds herself in an abandoned church looking for her deceased mother. As she traces through her past, being led by the questionable chirps of the cicadas from the woods, we watch EMELIA transform from a little bug, into a vengeance fueled monster.
Jojo O’Neil (she/they) is an interdisciplinary and transdisciplinary playwright, performance creator, actor, and trans artist from Markham, Ontario, and based in Montreal, Quebec. Her work is frequently guided by memory, nostalgia, chaos, and trauma, invoking and echoing voices of trans and queer elders from generations before her. Her work is often presented with the use of multimedia, regularly utilizing her skills in solo performance, video projection, audio mixing, and drag. She is currently a student at The National Theatre School of Canada, studying Playwriting. Her plays include When The Sun Consumes Us: Or, A Melodrama Called ‘Castration’ (dramaturgy by Ann-Marie MacDonald), a stage adaptation of Eight Bites, a short story by Carmen Maria Machado (dramaturgy by Nick Carpenter), Parricide/The Harpy (reading as a part of Cardinal Collective’s ‘ONLY Cabaret’ 2023), & DREAMHOUSE (Concordia University directed by Laura Quigley 2020). She is a co-founder of Toronto performance group Cardinal Collective, producing variety shows, cabarets, and theatre performances in Toronto’s east end since 2022. Jojo holds a BFA in Acting for The Theatre from Concordia University, and was a 2024 artist-in-residence at Mudhouse artist residency in Agios Ioannis, Crete.
2024 SHORTLIST
2024 LONGLIST
The Kindling House by Vishesh Abeyratne
Girls Don't Die Here by Shahrzad Arshadi + Anna Chatterton
My Sister's Dead Haha by Gabrielle Banville
Parricide / The Harpy by Jojo O'Neil
Death is a Gardener by Marcel Paré
Love the Sinner by Rachel Renaud
Oro by Christine Rodriguez
Days Since Bo’s Been Gone by Miriam Sossin
The Tao of the World by Jovanni Sy
PREVIOUS WRITE-ON-Q WINNERS
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Leila Roils the Seas by Lily Chang
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Hung Up by Tyson Night
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Fix by Joy Ross-Jones
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Vierge by Rachel Mutombo.
Premiered with Factory Theatre, 2023. -
Conversion by Alyson Grant
Premiered with Infinithéâtre, February 2018. -
Unseamly by Oren Safdie
Premiered with Infinithéâtre, February 2014. -
Extra / Beautiful / U by Michaela Di Cesare.
Premiered with Infinithéâtre, 2023. -
The Elephant Song by Nicholas Billon.
Premiered at the Stratford Festival. -
GAS by Jason Maghanoy.
Premiered with Infinithéâtre, 2008.
Remounted in Toronto, 2009.
Translated for a 2010 Japanese production in Tokyo. -
Blessed Are They by Bruce M. Smith.
Premiered with Infinithéâtre.
Winner of two MECCAs (Montreal English Critics Circle Awards), 2009 for Best Production and Best Actor. -
Rabbit Rabbit by Amy Lee Lavoie.
Tied for MECCA - Best Text, 2010.
Winner of Revelation MECCA, 2010. -
Disappeared by Leah Jane Esau.
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Trench Patterns by Alyson Grant. Premiered with Infinithéâtre, 2012
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Hangman by Jason Maghanoy.
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Life Here After by Alexandria Haber.
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Fatherland by Arthur Holden.